He makes it disappear and reappear an additional time and then retreats to the part of the stage where the stands are erected. He folds this into his hand and moves close to the camera so that the audience can see his hands, when he opens it, the handkerchief has become an egg. There are also two stands erected to either side of the performer, holding up a board between them. Méliès appears on a proscenium-style set which resembles a classroom – a blackboard with what looks like a mathematical formula written on it is in the background. We squeeze it into our “ History of Horror” because it also shows some of the darker implications of magic and its uses.
This trick film from Georges Méliès depicts a standard magic show, as one might have seen in the Theatre Robert-Houdin. Note also that the surviving print is black and white, but it would likely have been hand-painted in original release, and the eruption might appear more dramatic if the cloud had gone, say, from yellow to orange to fiery red. That might have been beyond the ability of Méliès to recreate, or he might have felt it was in bad taste to show such a great tragedy in detail. As it happened, in May of 1902, about 28,000 people were killed in a firestorm ignited by hot ash raining down on the city during the worst of the eruption, which continued for several years.
At the very end, the smoke seems to pour down from above onto the tiny town, as ash might from a volcano.īy modern standards, this isn’t a very dramatic movie, and I would imagine that at the time it was screened, live narration (perhaps even read from newspapers) would have accompanied the images, to emphasize the drama of real-world events. As the movie progresses, the smoke billows in different patterns, and someone makes waves in the water, coming in from the left side of the screen toward the boats and town. Miniature boats float in the foreground, on what is obviously shallow placid water. In the background, a large mountain looms, with smoke emerging from its peak. The film shows an obvious miniature of a fishing village, intended to recreate the town of Saint-Pierre in Martinique. The event it depicts occurred in the same year as its release, so it can be seen as a topical recreation of a story film-goers were reading in newspapers of the day. This short film from Georges Méliès is an early disaster film – and also a rare case of a film from Méliès with no actors or even narrative to speak of.
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